Well I’ve finished all of the Wesley Peterson mysteries in print – #28 will be released in August. They are mostly fun. The set up of a parallel historical mystery alongside the contemporary murder remains far fetched but actually works better in some of the later ones because the connections between the two are better made. I enjoy reading about the archaeology stuff in any case so it doesn’t really matter. There is no mention Covid or Brexit though so for all the connections to the past history of Britain there is very little sense of current events. I like the characters and I get caught up in the story quickly so happy I found them.
https://www.kateellis.co.uk/books/wesley-peterson
A friend put me on to another British mystery series, a police procedural set in Oxford. Simon Mason’s books are a very different experience from Ellis’s or even the Morse series. A Killing in November is the first and involves a murder at an Oxford College to which the wrong detective is dispatched. Ryan Wilkins is a working class, damaged, single dad, who grew up with an abusive father and who could ask easily ended up in prison as the police force. He’s sent instead of Ray Wilkins, a polished, public school educated, well dressed detective who is the ‘right-sort’ to investigate a crime at a college. The two end up being paired and chaos ensures but also some excellent detective work and a strange kind of friendship. In the second in the series, The Broken Afternoon, you begin to see that Ray is actually as messed up as Ryan. They aren’t easy reads but they are gripping. And the Oxford they reveal is not the idyllic ivy covered world Morse inhabits.
Further in the realm of mysteries I enjoyed the latest Jonathan Kellerman, Alex Delaware and Milo Sturgis mystery, The Ghost Orchid. This is #39 in the series and I continue to enjoy the friendship between the two men and accompanying them as they sort out the psychological ins and outs of the people connected to the crime. On a much sillier note, the most recent Janet Evanovich book, Dirty Thirty, is a hoot. The Stephanie Plum books are romps in which Stephanie never shows any emotional growth, all the characters are pretty one dimensional, and yet the chaos of her incompetence is pretty amusing. This is the poster child of the light read but I was recovering from covid and it was perfect for my foggy brain.
So that’s 21 of the next 65 reads accounted for. Next post, the non-mystery fiction.

